Painted as a mural in the Convent of Santa Maria delle Grazie in Milan, The Last Supper depicts the moment Jesus announces that one of his disciples will betray him. Leonardo captures intense psychological drama through the varied reactions of the apostles.

This work is renowned for its composition, perspective, and emotional depth. The use of linear perspective directs the viewer’s eye toward Jesus, the central figure, while the apostles are grouped to express different emotional states, demonstrating Leonardo’s profound understanding of human psychology.

 Vitruvian Man — c. 1490 (Drawing)

Although not a painting, Vitruvian Man is one of Leonardo’s most famous works illustrating his study of human proportions and anatomy. Based on the ideas of the Roman architect Vitruvius, this drawing symbolizes the blend of art and science that defined Leonardo’s genius.

It reflects his belief that the human body is a microcosm of the universe and exemplifies Renaissance ideals about symmetry, harmony, and beauty.

  Annunciation — c. 1472–1475

One of Leonardo’s earliest paintings, the Annunciation shows the angel Gabriel announcing to the Virgin Mary that she will bear the son of God. This work highlights his early mastery of naturalistic detail, use of light, and perspective.

The delicate rendering of flowers, the soft illumination of the figures, and the detailed landscape background reveal Leonardo’s developing fascination with nature and scientific observation. shutdown123